Exploring documentary storytelling in the age of the interface
Past events
DocLab Live: Bloodless – Guided by the Ghost of a Korean Sex Worker 25 Nov 2017 at 17:00
Special presentation on VR installation Bloodless, in which director Gina Kim and guests discuss the influence of American military presence on the South Korean people since 1956.
DocLab Live: Order, Chaos and Everything 21 Nov 2017 at 20:00
Join Jonathan Harris on a secular pilgrimage: from physical reality to the chaos of YouTube, and a digital simulation of consciousness.
Industry Session: Making VR Work for Audiences 20 Nov 2017 at 10:00
Zillah Watson, Commissioning Editor for Virtual Reality at the BBC, on how to make VR work for audiences.
Jury Report | IDFA DocLab Competition 2015
Winners of the IDFA DocLab Award for Digital Storytelling and IDFA DocLab Immersive Non-Fiction Award announced at IDFA’s 28th award ceremony.
Members of the jury: Hay Kranen (The Netherlands), Margaux Missika (France), Oscar Raby (Chile)
Documentary is supposed to make us understand the world better. But reality is harsher than pictures and in the face of a violent and incoherent world, we find shelter in personal, humble stories. Stories in which the characters speak directly to us. Their voices have been driving us through the festival. We’re discovering sound again. The intimacy of the voice is a driving force behind many of this year’s projects, and seems a natural tool to facilitate immersion.
The internet is fully grown up now. Projects focus on what’s needed to tell a story, instead of what is possible with technology. Instead of adding, we’re subtracting, taking away what is superfluous. We’re starting to master the medium, and are learning that it’s usually best to do one thing, and do it well.
We believe our two chosen projects are exemplary for this trend.IDFA DocLab Immersive Non-Fiction Award
For this new award, we chose a project that has simplicity at its heart. The tools used for this project are indeed state of the art: the real world and human imagination. At it’s core it has an urgent question: how do we learn to live together, to trust people who are different from us? The winner awkwardly challenges us with the idea that we can be characters in other people’s lives. The winner of the IDFA DocLab Immersive Non-Fiction Award is Someone Else by Ant Hampton.IDFA DocLab Award for Digital Storytelling
Our choice for the IDFA DocLab Award for Digital Storytelling gives the user the chance of coloring their experience and connecting the dots with their imagination. In a time when we can access anything online, it felt welcomed to hear a personal story, a point of view. Poetry, contemplation and emotions are pieces of a puzzle that fall naturally into place in this work. The winner of the IDFA DocLab Award for Digital Storytelling is Drawing Room bij Jan Rothuizen and Sara Kolster.
We believe our two chosen projects are exemplary for this trend.IDFA DocLab Immersive Non-Fiction Award
For this new award, we chose a project that has simplicity at its heart. The tools used for this project are indeed state of the art: the real world and human imagination. At it’s core it has an urgent question: how do we learn to live together, to trust people who are different from us? The winner awkwardly challenges us with the idea that we can be characters in other people’s lives. The winner of the IDFA DocLab Immersive Non-Fiction Award is Someone Else by Ant Hampton.IDFA DocLab Award for Digital Storytelling
Our choice for the IDFA DocLab Award for Digital Storytelling gives the user the chance of coloring their experience and connecting the dots with their imagination. In a time when we can access anything online, it felt welcomed to hear a personal story, a point of view. Poetry, contemplation and emotions are pieces of a puzzle that fall naturally into place in this work. The winner of the IDFA DocLab Award for Digital Storytelling is Drawing Room bij Jan Rothuizen and Sara Kolster.
Tags DocLab 2015
